
Sunday, November 8, 2009
Koons' Rabbit

Victoria and Albert Museum
A particular favorite of ours was this white chandelier of twisting bodies of the damned, sculpted in white plastic by Luc Merx:

Tate Modern
The Kiss by Auguste RodinFriday, November 6, 2009
Tate Britain
The museum features many great PreRaphaelite paintings, including Ophelia by Sir John Everett Milais. Ophelia is drowned in the stream she lacked the will to climb out of. She had gone mad with grief when her lover, Hamlet, murdered her father, and so she resigned herself to death. In her hand she holds poppies for death, daisies for innocence, and pansies for love in vain.


John Singer Sargeant’s Carnation, Lily, Lily, Rose transports us to a springtime garden in the Cotswolds where two children light Japanese lanterns at dusk.

Whistler’s Symphony in White No. 2 is a beautiful portrait of the artist’s lover, Joanna Hiffernan. Whistler’s artistic goal was to create beauty, and he certainly has with this portrait!

The Tate Britain also has an extensive collection of art by William Blake. My husband is greatly interested in his poetry and visionary paintings. His startling image Ghost of a Flea was on display while we were there.

Unfortunately, J. W. Waterhouse’s painting of The Lady of Shalott was on tour. I love this painting and I have been fortunate enough to have seen it years ago in London and once at the National Gallery of Art in Washington, D.C. A friend of mine, Soraya Homayouni, introduced me to this painting one inspiring afternoon. She showed it to me in a book and played for me Loreena McKennett’s ethereal voice singing the words of Tennyson’s tragic poem, The Lady of Shalott. A beautiful experience of art, music, and poetry.
The Tate Britain’s collection was lovely, and overall, very romantic!
Tuesday, November 3, 2009
The National Gallery, London
Here hangs Van Gogh's sunflowers. Created to decorate his yellow house in Arles in preparation for his friend and house-guest, Paul Gauguin, Van Gogh's glowing, textured, fiery bouquet is among his greatest masterpieces. On the wall of the National Gallery, the painting radiates warmth and good feeling.

That afternoon at the museum, a group of English school girls sat in a cluster on the floor sketching Peter Paul Reuben's dramatic portrayal of Samson and Delilah. This tragic image of ill-fated romance was perhaps an irresistible choice to copy.

The Arnolfini portrait by Jan Van Eyck was intriguing with its odd inclusions of traces of the artist. Inscribed on the back wall behind the Arnolfinis he wrote "Jan Van Eyck was here" in Latin, a graffiti-ed autograph, just above a mirror reflecting two figures, one believed to be a self-portrait.

And there she was again, years older than we had seen her in Munich the day before: Madame de Pompadour! This time she was painted a year away from her death by the artist Francois-Houbert Drouais:

The National Gallery has many other great paintings as well, a tremendous collection!
Design and the Pinakothek der Moderne
I specifically remember the (now former) Director of the Corcoran Gallery of Art's address to us and our families at the ceremony. In his speech, David Levy told us that the world needs artists. He said that everything that is made is designed by an artist. He said there is an artist involved in making absolutely everything. This was the beginning of my broader awareness of design, and how art is all around us.
At the Pinakothek der Moderne in Munich, Germany, we saw a wonderful exhibit of artfully designed objects. The display is from the Neue Sammlung’s collection of applied arts, which is regarded as the most important collection of industrial design. It was a reminder of the impact that aesthetic decisions have on functional objects and how an ordinary thing can transcend into art. Here is a photo from the exhibit: (click on image to enlarge)

Monday, November 2, 2009
Alte Pinakothek, Munich
Portrait of the Marquise de Pompadour by Francois Boucher (above)
